

The film is divided into three parts, like the book I guess. The first occurs So during the infancy of these three characters, the second during late adolescence and transition to adulthood. The third and last part corresponds to that from which our trio is finally separated, and where everyone is either a "guide" or a "donor". A "donor", I assume you have guessed what it is useless to draw you a picture ... As a "coach" is someone of a privileged few who can live slightly longer because it has been chosen to assist donors to be "useful" to end, allowing them to carry the maximum number of donations while accompanying them in their suffering and passive until their inevitable death. Glaucous glaucous home, everything, in fact ... But the film is nonetheless intriguing in that it is a certain lightness and drape is not especially despite the very story he tells tattles. It is easily looking at all intrigued as we face these fates that we have described in detail and deal with this unjust world that we in turn is portrayed while shadows, very partial. Before the film, we did So no trouble believing that the basic book should be interesting and probably very nice. But what is the film itself is more difficult to say ... If it's not bad, it lacks some something. There is already an obvious lack of pace, but there are other things I do not know precisely describe which strangely makes this film a slight disappointment, and if you look at all without ever suffering, it was still good of difficult to truly be passionate about what is happening on screen, especially for romance thwarted quite clumsy to us told.
In fact, if there is one thing which particularly shines in this film, c ' is its leading actress Carey Mulligan. Admittedly, I find it rather pretty, but it is not where I am coming and I will try for once to be a little more original than that, because it is not only its singular charm, so discreet that brightness, which is quite striking in Never let me go. The actress seems perfectly chosen here. There are some something quite fascinating that emerges from his ageless face, at once childlike and almost close to the old woman typically English. It is ideal in this role when, within thirty rods, it seems to have known all the trouble in the world, and may already be, in fact, at the end of his life. The young English actress literally carries the movie on his frail shoulders, as she is, however, that the third star of a casting choice since found its next Keira Knightley, who needs no introduction, and Andrew Garfield, at the height of his fame from his role in nascent The Social Network and future Spider-Man. If these latter do not stain and are also very well chosen, they are somewhat overshadowed by Carey Mulligan. It is indeed she who captivates us and allows us to follow this film from start to finish. To say that it even holds its audience with the role of guide, there is only one step ... A film ultimately quite forgettable, the most beautiful idea lies in the intense gaze and gentle, innocent and desperate, his leading lady for whom the future, unlike his character, looks very bright.
Never let me go Mark Romanek with Carey Mulligan, Keira Knightley and Andrew Garfield (2011)
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