At the top of my ranking of the best films of 2010 I had no difficulty in placing the extraordinary film by Abbas Kiarostami. A sublime film, absolutely perfect, and all points of view, which has attracted a large audience because you too, dear readers, you've voted best film of the year. Many have tried to identify the truth in this story, or their own truth. If these have found some satisfaction in a personal attempt to resolve the riddle posed by the film, fine. But the only truth that matters to me is that the immense power of cinema is the very principle of the work. I personally do not care whether the Couple filmed is a true fact that initially seemed to meet, or if it is a fake who pretends to have loved. I do not know and I do not really ask the question. I am laid in discovering the movie of course, especially when switching into the fascinating world of coffee the Italian mamma, but soon and for ever the issue has faded in favor of an absolute consideration. 
daze before a first actress Juliette Binoche at the height of his talent, because you have to talk and say how much the actress impressed by his work, his ease and vitality. Before staged brilliant and refined especially in the service of a remarkably simple idea for an art of narrative as rare as admirable. Forgive the adjectival dithyramb but also a wonderful movie compels me. It's a film so inspiring and so rich at once, which makes a total freedom and that leaves much to the viewer. It is also a light film on art, on the question of copying and recovery, which falls squarely in the heritage of Italian Journey Rossellini, following the of Contempt Godard and A Perfect Couple by Nobuhiro Suwa. So shall we not much effort to do to burn it us.
In truth the film is unforgettable. The first sequence in the conference room until the last in the small hotel marital via drive - inevitable in Kiarostami - the visit to the museum, the famous central sequence in the small cafe, dialogue Jean-Claude Carriere around the statue, but the argument at the dinner at the restaurant attached to a marriage from coast to coast as the film is carried by a miraculous grace that makes an instant classic. Yet the point of hermetic or difficulties, no barrier to enthusiasm conjugates of the filmmaker, actors and audience. For not content with being a masterpiece, the film is light and touching, as in this walk where potential lovers speak of walking together, hand of the husband on the shoulder of the woman, evocation of this representation being made in the image suddenly round a tree. It is an intelligent and moving film that does not give answers, instead allowing themselves be carried away by his own movement, which reminds each elemental beauty, efficiency and powerful sense of wonder of an art film which one would almost forget how precious it is.
Certified copy of Abbas Kiarostami with Juliette Binoche, William Shimeles and Jean-Claude Carriere (2010)
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