Social Security Radiculopathy

All is well! The Kids Are All Right

This film insipidus was entitled to his little Oscar nomination for best film. Almost every year, it's the same one or two small films typically "indie" are appointed for the ultimate prize of American cinema in distress but it is noticeably fashionable to praise it and watch with envy in the French media. Examples of these indie films we remember best are Juno and Little Miss Sunshine . Same ingredients, same recipe, same success. These films also need to model the ultimate disaster American Beauty Sam Mendes, a real Academy Award Winner of a sad memory that we have all at one time or another, rotten two hours of our lives, and we had already pinned on our pages. But back then to this film by Lisa Cholodenko, a filmmaker who hardly resembles the slave model that gives us hope his name and his obviously gay. Cholodenko actually interested in her latest shoot a blended family of small lezbdos suburbs of California.

Lisa Cholodenko proudly displays the number of ideas it has already had

Early in the film, when our patience and hope are still pumped up, we say that this story of father (Ruffalo) whose arrival disrupts the lives of a small family homoparental (Julianne Moore Annette Bening and their two teenagers) will perhaps give something funny, surprising, original, funny. Not at all what the hell! Everything is sewn with white thread, and nothing ever happens! Nothing! Nay! Sure, the couple of lesbians is fairly credible, which is not bad in a film Rican shit and which also earned Oscar nomination for Annette Bening this year. Certainly (in trivia the devil), the daughter of Steven Spielberg has a small role in this film. But other than that ... Other than that! We find many of the usual tics course movies "indie", which of course the omnipresent music with, in mind, David Bowie, definitely very popular in these films, but also things like Deerhoof latest, Fever Ray, Tame Impala. Anyone can, as usual, fun to take this film to a blind-long test of half past one. Where it gets boring is when these references are more direct, including a dinner scene where Annette Bening tetanic Mark Ruffalo and repeat in chorus Joni Mitchell. "No how pinkeuzoïde Ow, if you gafftasste Some Some grododendron, ye . If you sent this scene, you can safely assume that you have survived what must be one of worst movies of last year. At Ease!

small preview of one of those interminable "food scenes" in which we are spared nothing, not even the "moment toothpick"

Moreover, about scene "meal" should be also know that this film is particularly stuffed. That must be a record. Unheard of! We see the protagonists constantly eat their food disgusting while exchanging banalities confounding. Gotta be six scenes "meals" and God knows it's unbearable to see all these actors who pretend to chew and return their tongues in their mouths the same way. It really wonder if they have already eaten one day to realize that it does not happen like that and we certainly do not like it when you eat ... And shit, we do not eat your mouth open! My cousins I still do, and it is a Tragedy eat in front of them since that time. See it in this film reminds me of those terrible moments. There's also this terrible film two or three scenes so-called "brushing teeth" and, as usual, no toothpaste, but the characters are still pretending to spit their phlegm in the sink at the end. I do not know about you, but I deal with this sad spectacle, I see in infra-red! Obviously, we would not pay attention to these details if there was also some interesting things on the screen. But as it happens almost nothing, we are surprised to get a ball for the atrocities we have seen, and suffered a thousand times elsewhere. This film, which wants to be very deep, no better than any episode of Desperate Housewives we have extended by one hour.

The actor left the air to quell his plate, thinking "Ras and tired of these flat-bio végétalo lezbdos, what about my manhood?"

Besides being a great big pile of manure, The Kids Are All Right also ends fairly hideous advocating a morality sadly doubtful. Basically: a family must necessarily remain curled up on itself to survive. Mark Ruffalo is therefore kindly requested to visit Moreover, while everyone was really attached to him yet, so that everyone could taste her irresistible juggernaut of the Latin Middle West. Finally, how about this film without mentioning the terrible plan on prawns wilted Julianne Moore? The most famous Hollywood actresses redheads here loses what little sex appeal that was left on the edge of his 70 brushes, and she'll probably hang like a millstone terrible image the rest of his career. An image that is not ready to leave me. If you follow me well so far, you have guessed that Julianne Moore embodies a lesbian. However, it is well known: lesbians do not watch their body is totally negligent, dress like rags and do not pluck. QED Josée Dayan! This seems to be a fact, but it's still surprising that a lesbian (Cholodenko) prepare such a portrait of his own camp. She shoots himself in the foot, either. Lisa "2 IQ" Chodolenko when epilating does not putrefy our legs literally and inevitably become a purplish color, while repugnant and overlapping black hair, something even more surprising in a Pure redhead like Roger Moore. Frankly, this is one of the ugliest things I've seen in my life.

Argh!

Indie Film forces, was also entitled to some fairly explicit sex scenes between Mark Ruffalo and Michael Moore, where the two actors seem to literally "take their feet" for Julianne purplish, hairy kinky Marco . At the very beginning of the film, Moore also administer one guesses what is commonly called a "cuni lingus" to Annette Bening who wanted nothing so much and who still seemed to be ignoring a "Juicy Lucy" first class. After 20 years together, it is breathtaking about the love that will bring these two characters can not knowing that one has purple legs and the other is the "glorious rain" as soon as we tickle a little. Given all that, we rejoice necessarily be in a movie "indie" Rican. It's crazy what they dare to do, show, suggest. I who have subscribed to BangBros, ForcedBabySitters Spankwire and I could not believe my peepers. You bet ... Die Lisa Cholololenko, returns to play tennis! You and your two ideas, you can even do a double!

Presumably surprised by his own cobra and the intensity of pleasure felt, Mark Ruffalo "descends from the train" so as not to upset the actress not quite menopausal by a jet unfortunate

I will end my review with a little trivia from his store, noting that it is rather ironic that Annette Bening plays a lezbdo she is actually married to the biggest "serial Fucksters" of Hollywood in the person of Warren Beatty. Warren Beatty, the actor who says terrible round of interviews he has degummed over 3,000 women and children throughout his life, and counting . Chilling ...

All is well, The Kids Are All Right Lisa Cholodenko with Annette Bening, Julianne Moore and Mark Ruffalo (2010)

Mario Salieri Free Films

100 Dollars for a sheriff

I finally saw the 100 Dollars for a sheriff Henry Hathaway. And to my taste it is much better than True Grit , his successor directed by the Coen brothers, which I previously reviewed on these pages (I recommend reading the article in question before you begin the latter because they are directly related). I still have not read the novel by Charles Portis doubly appropriate in 1970 and 2011, so I do not know if the two films are meant to scrupulous adaptations the letter of the original text, it is certain that the Coen takes almost exactly the unfolding narrative Hathaway, scene by scene, and his dialogues, word for word (except for two sequences on the character of Texas Ranger and few side gags). We can quite legitimately talk about remake, no offense to our cranky cronies. However the two films remain quite different. They share a few flaws, like some lengths (including very slow to initiate action itself of the film), and a certain heaviness through gossip too long. However these works do not really share the same qualities.

In fact I found the original Hathaway much more beautiful than its remake, this beauty is through staging, hanging in the sequence, for example, or simply by what is seen directly on the screen, namely the wide open spaces of the American West, sublime, the Coen brothers ever do filming. As such the original comes to us like a breath of fresh air if it is discovered after his dismal remake. Hathaway's film is beautiful but much more complete, more interesting, more intelligent too. The characters are certainly less directly tasty (It is also necessary to appreciate the broad strokes drawn with a trowel from those of the Coen brothers), but they are also widely richer and denser. This is true for heroin, Mattie Ross, played by Kim Darby in the 1970 film, which very intrepid and fierce child is no less fragile and innocent. It is much more convincing and touching as the unbearable Haille Steinfeld with his head cocked first-class running through the film of Coen reciting dialogue that articulates up to dehumanize them better, while forcing the a tone that quickly becomes exhausting. It is also true supporting roles, like the man which is then cut your fingers down into the cabin, played in the film by Hathaway a very young Dennis Hopper gives body to this ephemeral character - note that the role taken by Ned Pepper Barry Pepper was originally embodied by a dashing Robert Duvall, another aspiring actor and future iconic figure of the cinema of the 70s. To return to this scene in the hut, I must confess that I took this brief orgy of violence for a signature Coen, it is not, even if instead of taking a bullet in the back the second gangster blew himself cheek.



But I cease any digression here and I hang up the cars of my modest demonstration of the supremacy of the characters is especially true for Hathaway's character Cogburn, much less histrionic in the guise of the indefatigable John Wayne, also more ambiguous, as in this scene where he compares the thugs to mere rats should be exterminated. A funny scene indeed frankly, that does not appear in the remake of Coen, like most of the gags and good replica of the original film, usually supported by John Wayne. The Coens have seen fit to erase the already present sense of humor and replacing it with theirs, and unfortunately, the match is final, the film Hathaway wins soundly. It is certainly a sober western too long with a fairly classic plane-plane, but it is nonetheless a very good movie whose remake pales, which failed in erase flaws and he has breathed new, far more damaging.

100 Dollars for a sheriff Henry Hathaway starring John Wayne, Kim Darby, Robert Duvall and Dennis Hopper (1970)

Sample Speech For Trainers

Manhunt

This film is part of Fritz Lang classics that stand out to the movies in February 2011. It was then that I discovered this work among the first that the great German filmmaker has done after his exile in America. His flight to the land of freedom was motivated by the proposal made to him by Goebbels to direct the film propaganda of the Nazi party. This is in response to this offer devilish, and even before the entry into the war the United States, that runs Lang Man Hunt in 1941, political thriller charged against the Nazis that sounds like an exhortation to the America's commitment in the war. The story, an introductory panel presents as a fable, originally published in newspapers and made a great noise, is that of Captain English Thorndyke (Walter Pidgeon), a famous hunter of wild beasts, who, in 1939, on the eve of the war, Hitler holds his gun after spectacle. The man simply first press the trigger of a gun is not loaded, such as a sports hunter refusing to kill but happy to have won the chase. And finally, during which the thief, Thorndyke load his gun and prepares to fire when a sentinel seizes him.

The German officer Quiver Smith (George Sanders) who is responsible for interviewing Thorndyke after his men have beaten and who is himself a great hunter, offers his prisoner to free him without restraint if he agrees to sign a document attesting that he has indeed tried to kill Hitler and the assassination attempt was sponsored by the British government. Such an admission would in effect for Germany to blame for England for a declaration of war immediately justified. But Thorndyke, right in his boots though strained, refuses. Lang then seems to afford some good staging daring for its time and for such a topic. During the discussion away that oppose the two fighters and officers, a plan, insisting rather long and surprises the viewer, a plan that seems very composed and juxtaposed Quiver Smith, filmed in the American plan and looked forward to the shadow cast on the ground of his prisoner-overs, and slumped sitting. So it seems pretty clear that the handle of the sword of the German officer, worn on the belt, could easily symbolize an erect penis familiarly the shadow of his opponent's face savaged English. Or when a breath of symbolism takes Hitchcock Film Lang (in a film that was originally to be filmed by John Ford, for the record).

Getting back to the story, refusing stubbornly to cooperate, Thorndyke eventually managed to escape after a steep decline and a breathless chase through the forest. Or when the hunter becomes hunted, pursued by a pack of howling dogs that substitute their owners thanks to the wonders of staging. On board a boat to London, Thorndyke is assisted by a courageous and mischievous child, played by Rody McDowall, Cornelius from Planet of the Apes here 13 years old, yet the character is so endearing and delicious one would expect to see accompany the hero until the end of the feature film.

But it is nothing and Thorndyke that landed in London, generous kid is quickly replaced by another character, Jenny, a beautiful young English woman decked out with a terrible cockney accent and a gifted banter to break everything sung by the lovely Joan Bennett, who would later become a muse of Lang and turn to him in three other films with great La Femme au portrait . Befriending, if not more, with Jenny, eludes his pursuers Thorndyke Nazis who in turn are helped in infested London of German nationals. Moreover, we find the feeling of attending a thriller Hithcock at several chases in the London slums, especially in the underground scene, where John Carradine straight escaped straddle e fantastic continued our hero. This sequence allows Lang to set up a recurring motif of the film, taken from the famous plan on Hitler trapped in the sights of a sniper rifle. On three occasions, when it comes to killing an enemy Nazi idea of the viewfinder will return to better describe the evil that Nazism which concerned that too few Americans of his time and that Lang attack violently, accusing him frontally .

After all a game of chase, Thorndyke believed to be able to forget, but Quiver Smith puts his hand on him and trapped in the cave where he thought he had found refuge. Fritz Lang refuses to do so in the classic happy ending (and those who would discover the film avoid reading what will immediately follow), since the German officer tells his prey that Jenny, the little English is full of life he began to love is dead, killed by his henchmen. Via this cruelty last minute, Lang says, and repeats that he intends to denounce the assassins unscrupulous. At the end of the film and the war that erupted after Smith Quiver killed by an arrow shot in the head with a bow made art on the go with the slats of her bed wren, Thorndyke is parachuted in Berlin his sniper rifle proudly worn on the chest, and with the desire to do battle again with the target of all targets.

Manhunt is therefore certainly a film "minor" by Fritz Lang, but it is nevertheless a damn good movie. The scenario could easily be poor among other hands, but Lang actually a good movie with his hilarious talent director. The final battle scene, between the two hunters that a wall of rock separating becomes memorable as Fritz Lang creates a space with his camera as we will not forget. As for the final plan, I can not imagine the effect it could have in the film, made in 1941 I recall. View hero parachuted into Nazi Germany with his sniper rifle hanging from the neck to confront Hitler and again this time with the firm intention to rid the world had to make a sacred effect on the viewer of the time , taken from the desire to believe in this fable and hope the success of such a liberator. I say "believe in this fable" because this film, far from any low propaganda, is a thriller that boasts a large fictional film before being hired or engaging.

Manhunt Fritz Lang with Walter Pidgeon, Joan Bennett, George Sanders, John Carradine and Rody McDowall (1941)

Sterowniki Pinnacle 150e/55e

Blog break ...

No, no, I'm not dead yet .. Just a moment I have neither the strength to write on a blog, or really much new on my daily life.

exams I did related to treatment were all looking for in the standard and should not prevent it. The first appointment I had with researchers at McGill University on February 17 was postponed to March 3.
And now, soon
Denis

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Never let me go

Never let me go is the new film Mark Romanek, a very prolific American director and best known for his many acclaimed videos (including Closer by Nine Inch Nails). To him we must Hour Photo A nice thriller with a Robin Williams transfigured, besieged and more disturbing than ever, embodies a psychopath polaroid addict who attacked a young family too quiet. Having enjoyed this movie, I was curious about the new offshoot of Romanek has attacked this time the adaptation of a book by Kazuo Ishiguro dystopian apparently very popular, released in 2005 in his country and a little later in France as the "near me always." I also wanted to see this movie because of his mysterious pitch. The story begins in England in the 50s, we follow three children from a boarding school where, from an early age, we teach them they are mere clones with a very limited life expectancy because their existence is only intended to give organs to the whole population part of a government organization.

One of my cousins is the perfect lookalike Andrew Garfield, except that it has almost 50 pins, working with Bouygues and called her daughter Sebulba

The film is divided into three parts, like the book I guess. The first occurs So during the infancy of these three characters, the second during late adolescence and transition to adulthood. The third and last part corresponds to that from which our trio is finally separated, and where everyone is either a "guide" or a "donor". A "donor", I assume you have guessed what it is useless to draw you a picture ... As a "coach" is someone of a privileged few who can live slightly longer because it has been chosen to assist donors to be "useful" to end, allowing them to carry the maximum number of donations while accompanying them in their suffering and passive until their inevitable death. Glaucous glaucous home, everything, in fact ... But the film is nonetheless intriguing in that it is a certain lightness and drape is not especially despite the very story he tells tattles. It is easily looking at all intrigued as we face these fates that we have described in detail and deal with this unjust world that we in turn is portrayed while shadows, very partial. Before the film, we did So no trouble believing that the basic book should be interesting and probably very nice. But what is the film itself is more difficult to say ... If it's not bad, it lacks some something. There is already an obvious lack of pace, but there are other things I do not know precisely describe which strangely makes this film a slight disappointment, and if you look at all without ever suffering, it was still good of difficult to truly be passionate about what is happening on screen, especially for romance thwarted quite clumsy to us told.

Youth have the right to walk in the countryside provided they wear boots

In fact, if there is one thing which particularly shines in this film, c ' is its leading actress Carey Mulligan. Admittedly, I find it rather pretty, but it is not where I am coming and I will try for once to be a little more original than that, because it is not only its singular charm, so discreet that brightness, which is quite striking in Never let me go. The actress seems perfectly chosen here. There are some something quite fascinating that emerges from his ageless face, at once childlike and almost close to the old woman typically English. It is ideal in this role when, within thirty rods, it seems to have known all the trouble in the world, and may already be, in fact, at the end of his life. The young English actress literally carries the movie on his frail shoulders, as she is, however, that the third star of a casting choice since found its next Keira Knightley, who needs no introduction, and Andrew Garfield, at the height of his fame from his role in nascent The Social Network and future Spider-Man. If these latter do not stain and are also very well chosen, they are somewhat overshadowed by Carey Mulligan. It is indeed she who captivates us and allows us to follow this film from start to finish. To say that it even holds its audience with the role of guide, there is only one step ... A film ultimately quite forgettable, the most beautiful idea lies in the intense gaze and gentle, innocent and desperate, his leading lady for whom the future, unlike his character, looks very bright.

Never let me go Mark Romanek with Carey Mulligan, Keira Knightley and Andrew Garfield (2011)

Care Package For Open Heart Surgery R

Being There

I like films of Hal Ashby. And this is not some sort of snobbery that moved caused me a desire to proudly say my taste for the work of American filmmaker rather forgotten 70s. He prefers to many other filmmakers of that era, that I would be very cumbersome to quote but you all know, in comparison, seems like a Hal Ashby film talent and the importance somewhat despised. No, I like his films, period. And obviously, I imagine far from alone. Actually, Hal Ashby's even more like being fashionable among a fringe of actors and directors claiming to belong to a certain cinema "independent" U.S.. Personally, I find his films often beautiful, funny, poignant and always intelligent. Besides, in any case, and all marked with the same sensitivity. I've already talked about The Last Detail, which is probably my favorite, and I shall now say a few words of Being There, perhaps his most famous film, I looked very recently, and that no exception to the rule.

Hal Ashby here tells the story of a naive and simple man (fool, one might almost say) who has lived all his life in seclusion, spending his time taking care of a garden, especially watching television. This man named Chance, played by Peter Sellers, was forced to leave his little bubble following the death of his boss, the owner of the house where he lived peacefully. A little unfortunate accident led him then to be hosted at the home of an elderly businessman and influential in the gates of death (Melvyn Douglas) and his lovely wife of 50 years his junior (Shirley MacLaine). The first, to cope with the disease, found in him a spring of healing in these last hours of suffering, and second, perhaps in need of love, it is quite irresistible charm gradually. The vast house where he was invited to stay indefinitely, Chance will go to the highest echelons of power and even meet the President of the United States, including the sick old man is a close adviser. The always calm and serene attitude of Chance will go for a foolproof wisdom gained following the alleged evils that would traversed in reality born of misunderstanding that does not even bother to correct. Always dressed to the nines and look very serious, his luck will be taken to the few words as oracles reassuring, proverbs and metaphors light lit, so it is just talking calmly to his knowledge in gardening.

That is a remote control that Peter Sellers, staring at his screen, is so firmly in his hands, remaining insensitive to the charms of Shirley MacLaine

few readings made fast on the internet allowed me to see that Being There is often closer to the Forrest Gump Robert Zemeckis. The only common nature of these two films is that they depict a main character in abnormally low IQ which will more or less accidentally, posing as a hero of the nation. While apparently a common size, but ultimately rather superficial since, beyond this simple statement of fact, the films have little to do. Other readings have also taught me was Hal Ashby's character Chance the equivalent of a God or at least a saint, especially because the last plane of the film shows us a semblance Peter Sellers walking on water. But that demonstrate a narrow-minded and completely ignore what Hal Ashby seems we demonstrate throughout his film. The filmmaker, that we may have been more inspired, more relaxed, seems here to draw a portrait of an America finally scary exit-war boom in economic recession, which the President is a man sure of himself and stinking who can not stand to be upstaged. The state of the country is so desperate that its population comes to hang in cryptic phrases falsely broadcast by television character quickly pushed under the spotlight, which only unconsciousness and simplicity allows it to be quite happy. Peter Sellers, extraordinary in one of his last roles, in fact represents the only character completely happy with the film. I'm not "blossomed" since the word is too strong for this unique character that also carries a certain sadness, a gentle melancholy worn by his strange lightness and emphasized by the music of Erik Satie accompanying regularly.

Do it enough to know not to shake hands and well get on TV to start a successful political career?

Returning to the benefit of Peter Sellers. The actor is at the origin of the film since it was he who made efforts to obtain the rights to the book he is adapting and he presented the project directly to Hal Ashby. Peter Sellers is a particularly significant role by allowing it to show all his talents as a dramatic actor seriously. When we watch the film, we may expect that makes comic actor, not missing the opportunities that come to disrupt the smooth running of a TV show, a meal or a meeting worldly prestige. But that never happens, because Peter Sellers gives his character a real existence, a real credibility, even when he delivers a well despite his line of dialogue actually funny. I think for example in the elevator gag, where her character makes stupid remarks caused solely by his extreme ignorance. The actor seems to wear a mask of placidity, or have finally defeated his comic mask, he who was so often sentenced to laugh, to exuberance.

little glimpse of the last scene of the film

The direction of Hal Ashby, like I said, rarely surprising. Thus, the filmmaker recalls only in very exceptional fantasy that lives permanently a movie like Harold and Maude , not least during the first night on the town of Luck, who is on the famous song by Richard Strauss ago immortalized by the 2001 Stanley Kubrick . Looks like Hal Ashby has set very flatly film history and, above all, his incredible character, likely to be, somehow, its image and better capture or reinforce feelings that it gives off. The filmmaker retains all his talent and no shortage of achieving a certain poetry. A poetry which culminated in the famous final shot, indeed ambiguous, where one sees so Chance advance on a pond, surprising then to push forward his umbrella beside him, while is the pronounced phrase "Life is a state of mind," the last words of the old man that has overcome the disease. Buoyed by luck or by His holiness, it is not known, the character may very well change over a submerged jetty as he can actually walk on water. Still, the end credits begin with the phrase "A story of luck," before marching past the outtakes of a deleted scenes, just to remind us, though, all the comic talent of Peter Sellers. I think the Hal Ashby film seems rather ridicule and criticize harshly enough American society and the turn it takes in the late 70s, with a fairly serious and caustic humor. A society whose need to be reassured is so strong that it can consider the words of a simple-minded as many predictions as bright and able to carry that same individual, as we suggested in the last scene. The end, this final image, is perhaps to drive the point home, showing us in a single plane of double-image of this innocent man-child deeply, both seen as the equivalent of a holy and beneficent which is also a simple-minded only carried by a lucky non-standard. A character who happy to be there, Being There is the original title. Being There is in all cases a very beautiful film, and especially the portrait of an unforgettable character.

Being There by Hal Ashby Peter Sellers, Shirley MacLaine, Melvyn Douglas and Jack Warden (1979)

Italian Gifts Inexpensive

Gainsbourg (heroic life)

This morning I got up, I open my cupboard, then tell my friend about who I fall? The lover of my wife! I said "Tell me my friend what are you doing here?". He says "I like you, I kiss your wife." No joking aside this morning I get up, and I start to sing: "Nothing stops when you commenceeeeeees, if you knew how I ennnnnvieeee a peuuuu of sileeeeeeence. "I sang these lyrics to a song I do not even know I sang it, squinting, and it made me think that this fucking virus that had seized me may be the film that I mate the night before, the Gainsbourg (heroic life) by Joann Sfar . Joann Sfar, talk about it. This guy is a comic cartoon that has a big melon like that. He scribbles as tanchard a hideous style that make it unique and it can no longer find it great. Nothing scares him. Not even the idea of making a feature film out of nowhere, a film of two hours and ten minutes, as his megalomania has no limit, a biopic about a national icon, no less. In this film we learn what we already knew, namely that Serge Gainsbourg wanted to be a painter before embarking on variétoche, Sfar also lends his own stroke of a pen, and engineering s'alléguant immeasurable he attributes the singer in the face of cabbage. Sfar is considered so gifted as an absolutely brilliant as he filmed an adult child blathering as cynical and prodigiously informed. Yet this model of intelligence and artistic genius sees his imaginary confused than Joann Sfar in (auto) biography to vomit his guts. Because the thing does not stop away, from one end to another film Gainsbourg is visited by his double, Serge Gainsbourg, drawn in the graphics palette, shown in the image of the pathetic sketch Sfar while cartoons. And do you refile a horrible urge to hang yourself.

is one reason why I cram Joann Sfar prune

This ridiculous movie, which opens with the words oh so high-sounding: "A Tale of Joann Sfar, "is a series of sketches noisy and distressing, terribly badly filmed, which tell the stupid route and manage Gainsbourg make us unattractive to the artist as possible, even detestable. To top it every step of this filthy fable biography of my two years as many pathetic imitation. Eric Elmosnino is certainly remarkable in its way to imitate the sacred monster, does that imitators have always gun ... Starting from a vague resemblance to Gainsbourg, this sad parrot big ears adorned with false grotesque imitation of the singer's diction, his gestures, and it is really miserable. Laetitia Casta is doing pretty good in Brigitte Bardot, it must be said naturally shares her big boobs and certainly his IQ, but it is never just another actress who plays the celebrity, and what we look like idiots Casta is having fun, that's what matt, matt is a pair of tits to be playing another is not a dull character. There is no character in this turnip.

Casta seems to take much pleasure as Bardot to lug around the boobs bulk

I'll take a little while violently Casta is probably the one who deserves the least. What about this vase Anna Mouglalis posing in Chanel dress and cigarette like a skunk to aggravate his baritone voice and the fact that Anna Mouglalis to interpret Juliet Greco, as saying of the late Lucy Gordon takes academically focus of Jane Birkin and yet we find it difficult to identify as such since it is almost as pretty as Birkin was ugly, mean that most of the Philippe Katerine foul in the skin of Boris Vian ... And that's not to mention that I would call the icing on the cake, Sara Forestier, the catafalque human, makes us a number to vomit when she tries unsuccessfully to mimic France Gall singing unbearably bad and screaming as a trépanée with its huge mouth wide open and view his tonsils demonic ... This is the number of the saddest actress I've ever seen. Play it in the first degree and find that owl is crying.

bitch!

I almost died in front of this stupid rantings of the life of Sfar Gainsbourg and before this horrible spectacle of actors and actresses nude sticky all immersed with conviction and passion in their laughable imitation exercises . The worst is that the film teaser and plays on our side flatly pervert by accumulating multiple stories involving Gainsbourg ass and all celebrities of the time (Bardot, Greco, Brassens, Birkin, etc..). One has the feeling of reading a Oops lively and there looks silly to see the next big victim of Gainsbourg and a glimpse of his thin parts with a particular star in cleavage.

I finished the movie in fast and then I looked Tamara Drewe . I was looking for an idea to conclude this review in my head singing "Who Let The Dogs Out, woof woof woof," and it made me think of Frank, in MIIB in the scene where he sings this song. Same, I was reminded of the scene where he sings "I Will Survive." To me these are mythical scenes that make a better movie M2IB M1IB.

Gainsbourg (Heroic life) by Joann Sfar with Eric Elmosnino, Laetitia Casta, Anna Mouglalis, Sara Forestier and Philippe Katerine (2010)

Vocabulary Answers Level E Unit 4-6 Review

Shhh! ... Spring is here! Surfing in

life awakens and blooms .... soon as the first rays of sun!

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True Grit

While few clients of the Coen brothers film, and despite my distaste for Most of their films, including the previous A serious man, I was curious about their first western. The story takes place in 1870, just after the Civil War, the final frontier of the American West. Mattie Ross, a young girl of 14 years, wants to avenge the death of his father. To find the murderer, she then called the Marshall Cogburn stubborn and an original Texas Ranger. This is the remake of a film released in 1969, Henry Hathaway, $ 100 for a sheriff , with John Wayne in the lead role (taken today by Jeff Bridges), who won for his performance the first and only Oscar of his long career. Bridges reprises the role of Wayne at the same age: 61 pins behind the tie and so many children without fathers around the country. The Coen brothers defended themselves however they have signed a pure remake of Hathaway and prefer to say they have made a new adaptation of the novel by Charles Portis. They anyway proudly and courageously signed their certificate of originality by placing the banner on the right eye of Jeff Bridges as he covered the left eye of John Wayne in the original film. We will not upset them. The film does not really want to know more about its origins. It must be said that history does not dream. But the trouble is that the side of the stage there is nothing to say either. The classical, or academic interest without achieving the Coen would fit almost in the path of Henry Hathaway, who was somehow a poor cousin of John Ford, still probably more talented than our contemporary Siamese . Hathaway has done more than sixty films between 1932 and 1974, sometimes combining two to four goals in the same year. To make a film a year of no importance, the Coens in turn become makers uninspired.

Nothing to say about the staging so transparent. Certainly the players are nice to follow even if they embody stereotypes of poor, despite the regret that we can predict that the little Hailee Steinfeld Hilary Swank will be tomorrow, but it definitely does not. Because there is not much to say no more of this story ultra-conventional, as exemplified by intentionally stereotypical characters that the film is forty minutes to introduce ourselves so that we know absolutely by heart before they discover them in the image, only because of what the secondary characters tell us. No desire to interpret the story, tell the duality of character Cogburn, boorish alcoholic who is both a hero and a failure, a cold-blooded killer without scruples or speech and a surrogate father with a heart, or talk about this heroine who is a gifted child eager for vengeance that will punish the fate of this still dominant low willingness to punishment; Nor need lie on the hilarious tale of the end of an era and the demise of a certain kind of lonely cowboys spunky ...



In truth, beyond the issue of lack artistic or scriptwriting, one might wonder if the new Coen Brothers film, Jeff Bridges, finding it in their so-called best comedy The Big Lebowski would be a potacherie stuffed with black humor that is typical of Coen brothers Webster and Webster or if they were on the contrary, while reconnecting with Josh Brolin in No Country for Old Men , reflexive filmmaking quick to ask a genre as old as the world and its state in 2011. Well they did not choose. They did a little of that, without shades or mix genres. It was therefore entitled to scenes of comedy who never laugh, juxtaposed to sequences most serious where frankly we are bored as well. The gags, like the characters, situations, events, brief as everything in the film are predictable, expected, and every step of the feature film unfolds as expected, not surprisingly, without finesse, without any degree of interest the viewer who watches this show sober. It goes from one end to the other two hours during which the film without grumbling but never be passionate. It is there in front of a Western dish already seen a hundred times and wondered what the purpose of such filmmakers as loved by the general public, what about them or their deep draft. Basically what's the point? I retain a scene, that of the hanged girl should go get his arm about ten meters above the ground. The final gag of this scene did not make me laugh, of course, but the image of the body hung so far above the ground is a stunning image and original. The rest is a western that has agreed to drop other than humor and no ambition other than a series of unnamed facilities.

See this movie at the cinema, previews to a packed house, I learned that sometimes it would be better to stay home. I should avoid going on the big screen these works of filmmakers admired a large audience, which goes to the multiplexes in a state of ecstasy, absolutely committed to the cause of filmmakers they admire religiously, motivated by a desire Unconditional laughter in this black comedy which they were told he was in any way compelling. Hear the room burst out laughing at this scene that this stale and mediocre heroin annoyed to share the bed of an old woman who snoring, or to such other sequence absolutely not intentional comedy that describes the anti-Indian racism of the time while a native was gagged before he had time to speak to the crowd came to see him hanging sequence ad excluding Indian film that traverses their territory become no man's land and their disappearance already a country where they were automatically relegated to the lowest trade stiffs, but before that last wave of violence which sliced fingers and a head shot ... Ah ah ah. Notice I almost envy, the ones who roar with laughter and piss at the least rotten joke. For my part I remained silent in front of a movie not really bad but damn disappointing.

Note: After writing this review, I saw and criticized the original by Henry Hathaway: 100 Dollars for a sheriff , which I much appreciated.


True Grit Joel and Ethan Coen starring Jeff Bridges, Matt Damon, Hailee Steinfeld, Josh Brolin and Bary Pepper (2011)

Nimrod Tent Owners Club

Sex Friends

The blog takes a considerable expansion, every day beat record of visits, we can speak of true popular success on the blogosphere. Such enthusiasm of readers creates obligations "to great power great responsibility" as they say. These responsibilities include the need to travel every day in the cinema via the emergency exits to discover on the spot all the most anticipated new releases of the public and to criticize them as soon as possible. We must stick to the news, being in the heat of the moment, do not miss. That's why I felt compelled, at the peril of my life avoiding the guards toughest and most cunning of the UGC, to go on the big screen Sex Friends, released last Wednesday. I mention hot, I 'm still in shock. This film took me by the throat. What can I say except that I care about Natalie Portman on fire briefs and Ashton Kutcher is a huge fire engine. If it were a fire, Portman would be the Great Fire of London which has eradicated the plague throughout England. At his side Kutcher is by itself a giant tsunami, Hurricane Katrina, a flood of salt water and ice to turn up any smut incandescent lights by his comrade. Ashton Kutcher could chemically castrate me by his mere presence on screen.

"Your breasts p'tits bakelite fluttering ... "

is not particularly exciting that I have to say about this movie once. But I know that everyone will want to see it because the words" sex "and" Portman "multiples can only cause a tidal wave. Especially that the actress has officially declared a few years ago that she would never play in a movie" on Jennifer Love Hewitt. "This film is the evidence that it does not keep its promises, which is rather encouraging for any non-gay men on this planet. No need to tire myself to tell you about this movie good or bad, everyone 's in beats roustons. You really think I subdue it went to the movies? Look me straight in the eye! I'll wait for dvd-rip, like everyone else. I wanted just cause because he comes out and it is always good cause latest releases, the latest crap.



And also because there is a poster-sized placard against a wall on the path that brings me back from work every night. So every time I pass by I find myself face to face with bare feet, shapely calves, thighs and ass velvet ignited by Natalie Portman. These feet swelled tenfold to be wider than my face, turning out that these beautiful I stare down at a glossy high definition for the greatest misfortune of my little trilili suddenly too tight in his boxers at 50 euros. As foot fetish, my blood does one turn before those crowbars, systematically. I'm completely crazy and I threw all that is feet Arpion, nougat, pumps, foot rot, and other pins. But the spectacle of the sublime displays of godasses Portman makes me completely crackpot.

Sex Friends Ivan Reitman starring Natalie Portman and Ahston Kutcher (2011)

Gay Masterbateing Games

The Messenger

The Messenger yet another American movie about the war in Iraq, this time living from the inside by two soldiers who go to inform families of the death of their loved one. Both soldiers are played by Ben Foster, actor-mouth rat that is seen increasingly in the lead roles while pushing facies had hitherto confined to the characters and villainous traitors of all kinds , and Woody Harrelson, who thus leaves a large number of actors in his role as an old soldier with no heart who has seen others, but who discovers new sensibilities along with his less experienced young wolf. Ben Foster has illegitimate son Jody Foster and master Splinter the rat ninja turtles. He arrived in the worst bitches get laid because he acquired through his father and his foster brothers Leonardo, Raphael, Michelangelo, Donatello and perfect knowledge of the underground world. On his list of conquests, Kirsten Dunst, Kristen Stewart and Ellen Page, which earned him a "Limit!" from his father when he was made aware, given the youthfulness of the two latest conquests, imagine a man-sized rat scold you because you cross the yellow line of statutory rape ...

Returning to the film, it seems very long, but it still leaves look. What's more captivating are the stories that are seemingly just when our two characters will announce the new sales among families who have lost one of their own. All those scenes where we just returned home, in their intimacy, only to emerge soon. Alas, these moments are almost always filmed with camera in hand, with small movements can be quite awkward to capture the sadness of the grieving families, and it's pretty bad ... Apart from that, that saw the young soldier portrayed by Ben Foster, torn between a girl whose first love was about to be married with another ugly chick and a second which he announced the death of his guy and sees him as a source of comfort, it will not hit badly. So I have a mate eye slow because I matais Small Handkerchiefs the other in rapid eye on my netbook first cry! And yet, I just say it's not too bad. I have not seen real speed, and I say it's not bad! That is to say where is my big indulgence Hollywood melodramas ...


The Messenger Oren Moverman with Ben Foster, Woody Harrelson and Jena Malone (2009)

Rash On Baby Butt Blisters

The Heartbreaker

Your daughter is dating a bad guy? Your sister got stuck in a passionate relationship with a destructive porn actor? Your aunt has been married for 50 years at your Uncle Roland who is a sucker? Your mother size pipes to Mike Tyson? Today, there is a radical solution, it is called Alex. His profession: professional couple breaker. His method: a denture of Orang-utan to crack all Zlip the world. Her filmography: all films of Tony Gatlif's gypsy. In fact, the seducer in question is none other than Romain Duris, making The Heartbreaker the film must all Gadji. They materont this turnip with envy while at their sides gadjos will want to die before the face of this decrepit freshwater carp named Vanessa Paradis. For it is that Duris must issue its ideal husband.

The scene that made me dream of being a big huge wearing a hat in summer and hung to his nokia

Our seducer the lack refuses at first, ethics dictating not break the unhappy couples to free women from the shackles of marriage and husbands miserable. Apparently only women suffer from bad marriages is good to know. Now it turns out that Vanessa Paradis saw the great love with a foppish very significant. Duris nevertheless ends up accepting the large check signed by the father of Vanessa Paradis for breaking the idyllic couple of the young woman because he needs the money over a silly side story of gangsters who serves macguffin ultra stinky to this sad comedy . So the whole scenario will be to make us follow the adventures of Romain Duris, up to his neck in his mission to fuck the shit in a couple of dreams that did not ask. That said we feel that Paradise is not completely happy in this household. Throughout the film we guess believed that her husband is actually a fine motherfucker, a type ladle, a wound. Well actually no, it's just too perfect, too slick, too much in love, whatever ... Paradise and will eventually leave everything behind to catch snags disordered Duris between his own teeth of adversity, even though it has cheated throughout the film, even if all the air of a true moron, history of fun in life with a marsupial hysterical. Another film that gives the face a disastrous image of the husband and which, unwittingly, is therefore a vitriolic portrait the figure of the woman. Besides the other chick's movie is the friend of Heaven, played by Helena Noguerra, subscribes to all the eternal roles of streaks of French cinema, which embodies all hands a bitch volunteer whose obsession is to be put by any passing male to be around her. It remains silent.

favorite actress of French side from the one they all fucked

Still it is this moron of Noguerra resulting in the only scene just funny about the film. Duris raking complete information that is on Paradise to try to put it to use history to seduce her: she loves George Michael shamefully, it gets off course Dirty Dancing and she has no feeling in his left shoulder from a crash skate . So during a meal at the restaurant where he hesitates on the menu between the donkey (Paradise) and pig (Noguerra), Duris purposely spill hot soup on a gam that was previously protected then rant he did not feel anything because he has no feeling in that leg from a fall while skating, what Paradise is quick to reply: "Yikes coincidence of Guedin! It just so happens that I myself shoulder to white since I'm Galtee with a two-wheeled skateboard. Trivias, correspondence, reconciliation, love at first sight. Noguerra But who decided to intervene in this dialogue, then asks Duris: "If I plant a knife into the ham you feel Queudes?". Duris nods and one guinea fowl will then plant 5cm fork in the wrong leg. Duris screams of pain by addressing bitch. Noguerra Immediately repeat the experiment in the right leg. Normal. What's more normal than to disengage the box to someone who claims to have lost its sensitivity. I like that idea. Necessarily if someone told me he had lost feeling in his arm I'll hasten to cut her to see. So nice scene. But the rest ...

Duris in the trade is called "The patch"

We never tired to do this comedy from beyond the grave. The tragedy is that they have met François Damiens and the ignoble Julie Ferrier, a duet "comical" for that, duo fell in the water as it is not allowed. As for the romance aspect of the brothel ... How not to want to puke before the jokes Romain "Jigsaw Puzzle" Duris old woman to seduce this hideous sickly, pale and anorexic what Vanessa "Far From Heaven" Heaven? You should see the type Duris interpret classical music fan who goes to concerts and spend an hour and a half listening to a piano piece by mimicking very seriously all pianist's gestures in the air, almost slapping his seatmate when notes leave in the bass or treble response. You must see this. But to watch it at this dramatic genius, this crap comedy, he must also endure the worst couple of French films trying to imitate - and oh so clumsily - the final dance scene from Dirty Dancing in a romantic comedy hopes to draw on the worst American movies and to do this quote and pump directly and painfully funny classics from across the Atlantic. What a sight ... A trivia

tetanizing: This film brings together a couple of saw teeth! The two French actors in the worst dentures. We present a record of rotten teeth on film. 32 snags for Duris, 31 months ratounes Paradis (one is missing in the middle, which is conspicuous by its absence), which makes a total of 63 caries unfolded on the big screen. The combined record of Predator and Ron Perlman are beaten.

The Heartbreaker Chaumeil with Romain Pascal Duris, Vanessa Paradis, Francois Damiens, Helena Noguerra and Julie Ferrier (2010)